We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Everett

by The Coal Men

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 USD  or more

     

1.
Black Cat 03:19
Black Cat Struttin’ like that Thin grin looking hungry again Bad Luck, Bad Break, Black Cat I knew this girl her name was Sue One night I had nothin' to do I called her up she showed me her tattoo We did this thing for a little while She’d come by and she’d make me smile She took my wallet, she cramped my style Sometimes things end to soon Like midnight sneaking round the yellow moon Her shadows falling creeping in my room It Could be a dream yeah it could be real But I know what I know and I feel what I feel What's next honey what you gonna steal -Dave Coleman - (Four Minor Music SESAC) -Taylor Bates - (Luandry Music BMI)
2.
Radio Bell 04:35
Well He never would have known about A girl from Lexington But at the Radio Bell He suddenly felt someone There was lighting in her eyes He’d never seen before And a thunder in his chest As she struck him to the core And when she spoke her name aloud All the static just disappeared At the Radio bell The future felt so clear If there never was that little cafe A man would be a boy Because the radio bell We can tune into their joy -Dave Coleman (Four Minor Music SESAC)
3.
You could be a dick When you walk in the room Smoke gets thick When your drinking at noon Ah your lips get loose And now your talking to loud Your playing to yourself In spite of the crowd You could be loved You could be right alright You could be alone For the rest of your life You could be a friend If you let somebody in You could be loved But you’d rather be right Well you rather be right But you end up all wrong Same sad face Oh the same sad song Your doing it again You can’t help yourself You don’t leave no space For nobody else You get so mad you get so mean It’s a sickness boy that you don’t see Your killing yourself your killing me Your your own worst enemy Get over yourself is the remedy -Dave Coleman (Four Minor Music SESAC) -Carey Ott (Long Story Short ASCAP)
4.
Travel time and you will see It’s best to love where you have to be Up above the changing sky line The same moon glows and the same sun shines I love this town but I hate it too Do you know what I mean I love this town but I hate it too Everything in between There’s a lot between love and hate Some got here early and some came late You never know what you can endure Only two things that I know for sure Stunned by the outcome of 15 years Beyond my hopes and my deep cut fears Wading in the flood, trudging to the top Looking all around seeing it surely won’t stop Crowded streets all the crowded little bars Out of state plates on your neighbors new cars The Cost is up for your food and your drink I’m starving here over what to think, but -Dave Coleman (Four Minor Music SESAC) -Mark W. Winchester (Flandeline Music ASCAP)
5.
I’ve added pain by division I’ve been a total wreck of a man I’ve known the consequence of a poor decision That I understand I’ve been left all but speechless And I’ve been left out in the cold I’ve been left sad and lonely God only knows, heart exposed I’m trying hard to face my demons I’m trying not to slip back down that slope My only goal is being human And not to lose my hope Well I’ve been right on occasion And I’ve been right to want to know I’ve been right in altercations God only knows, heart exposed Here I am defenseless An open book of a man Fearful of the the consequence I ask of you to show some mercy if you can I’ve been taught by the good book I’ve been taught how to show Love, compassion, and forgiveness God only knows, heart exposed God only knows, heart exposed -Dave Coleman (Four Minor Music SESAC) -Lynn Taylor (designee BMI)
6.
Man I miss Joe strummer I miss his attitude and his heart Only stood up for freedom And knew just where it was I been thinking about him lately In this wicked world gone wrong I threw a record on And melted in his song When you coming home Joe Please come home Joe I need you home now Come back Joe Joe gave us all the feedback Joe heard his own drum I’m going back to the city And listen for his strum -Dave Coleman (Four Minor Music SESAC) -Jamie Rubin (Sammy’s Grandsons Music ASCAP)
7.
Johnny Sins 02:54
Johnny sins he can’t help it He use to get down on his knees But he never felt it mattered Like bad seeds his thoughts are all scattered To the wind Johnny sins Spray paint can in his hand at night Tagging any wall he walks along A five finger discount snagging a pint Feel a little meaner when it’s gone And he’ll stumble back to the lack he’s living In a house ain’t never been a home They tried one time to keep it all together And now they’re all living there alone Well he never understood The point to being so good What does it get you in the end -Dave Coleman (Four Minor Music SESAC) -Mark W. Winchester (Flandeline Music ASCAP)
8.
I hear trains in the night from my bedroom window The rhythm of the rail is a family friend I hear trains off the sandstone rim on the plateau That old cry and it's echo never ends And I hear trains in the night as they go by Well I hear trains in the midst of a busy city When the cross gate arms swing slowly down Now the trains all seem like a distant memory Our time passes by when the trumpet sounds And I hear trains in the night as they go by Someday I know the trains will go silent As surely as I hear that whistle cry But as long as I feel the steel wheels spinning I hear trains in the night as they go by And I hear trains in the night as they go by Now Tommy was a switchman down in Memphis In the striking spring of nineteen sixty eight He heard a rumble when a man named Martin Luther Was shot down by a man so full of hate Someday I know the trains will go silent As surely as I hear that whistle cry But as long as I feel the steel wheels spinning I hear trains in the night as they go by I’ll hear trains in the night as they go by -Dave Coleman (Four Minor Music SESAC) -Tim Carter (Tree O Music SESAC)
9.
Silver Tales 03:07
Hands entwined, your's and mine, you can't this time Say no more tears and I could drown hearing the sound Way in the distance, I thought I missed it I felt it creeping, was I just dreaming a dream The last time darlin' you stayed the night with me Lies on your lips, fire in your eyes, familiar disguise Dreams and hopes, streets of gold, silver tales you told Alone like a street lamp, Don't you come closer Who was that beauty, I never knew her at all Way in the distance, You thought I missed it I felt it creeping, Was I just dreaming a dream The last time darlin' you stayed the night with me -Dave Coleman - (Four Minor Music SESAC) -Taylor Bates - (Luandry Music BMI)
10.
Just had an accidental memory Turned a corner in my mind Sudden crash landing back in time Slipped, got tripped out of the blue By and accidental memory of you The day was goin’ beautifully I was thinking practically I felt so safe and sound The sky was blue above me I’m fine but then below me felt a shiver in the ground All through out the evening I doubted the reasoning For Never looking back But now that it’s happening It’s not so frightening All this looking back -Dave Coleman (Four Minor Music SESAC) -Mark W. Winchester (Flandeline Music ASCAP)
11.
Don't worry about the mule Just load up the cart Cause you ain't worth a nickel If you ain't working hard I get three square meals And two tone clothes I follow the rules wherever I go Wherever I go I got to hammer like Bill I got to do like Lee I got to keep it in line And wait for the day That I'm gonna break free I ain't been here long It feels like forever It's hard to stay strong It’s bound to get better She was a sly eyed sally that promised me heaven She drove off in my Chevy, my only possession Back in ninety-seven I can see her in the night on my pin up poster She's long gone, and I'm another day older Everyday I’m getting closer -Dave Coleman - (Four Minor Music SESAC) -Taylor Bates - (Luandry Music BMI) -Matt Roley - (Struggle On Music ASCAP)

about

Produced by The Coal Men’s founding guitarist/vocalist/songwriter Dave Coleman at his Howard’s Apartment Studio in Inglewood, TN, Everett is The Coal Men’s first full-length release in nearly eight years.

The album sees the long-running trio – comprising Coleman, co-founding drummer/backing vocalist Dave Ray, and bass guitarist Paul Slivka (Tommy Conwell and the Young Rumblers) – fully embracing their streamlined electric guitar-bass-and-drums approach adding only accent melodies and sustain textures from a 1950s Everett upright piano Coleman purchased from Nashville’s Downtown Presbyterian Church. As played by Jen Gunderman (Sheryl Crow, The Jayhawks), Lane Kiefling (solo artist, and piano tuner of the Everett), and Coleman, the addition of the upright epitomizes the inventive production style Coleman has developed at his popular Howard’s Apartment Studio while also bringing a distinctive emotional color to his ever-expressive songcraft.

Everett is heralded by the strutting first single, “Black Cat,” which will be available everywhere Jan. 19. An official music video featuring moving 8mm portraits of the band will premiere in January as well.

“‘Black Cat’ is a commentary of a dangerous but magnetic attraction,” says Coleman. “Written with Taylor Bates, this song is The Coal Men’s attempt to blend the music of Tony Joe White and Marc Bolan of T-Rex. Howard’s Apartment Studio features at least five felines, so their swagger is an influence.”

From there, the bittersweet “Rather Be Right” and the anthemic “cry of appreciation” to Joe Strummer, “Come Back Joe,” Coleman draws simple, straightforward character studies exploring the unique relationships between people and the places they inhabit, some deeply personal, others more hyperbolic, but all richly constructed and resonant with the veteran musician/songwriter’s two-decades-plus adventures in Nashville and beyond.

“We’ve kept our course in these nearly 25 years as a band and I hope some folks find this record relevant and inspiring in the time it’s released,” says Coleman. “The voices, songs, playing, and recordings are curated by experience and genuinely our own. I hope they resonate with listeners who find it refreshing.”

Hailed by Todd Snider as “one of Americana music’s great songwriters,” Dave Coleman grew up near the Big South Fork National River and Recreation Area in rural East Tennessee, where he thought he’d join his mother as a park ranger, but once he hit the stage in a local band, music took over. Coleman headed to Nashville where he graduated from Belmont University while writing and gigging with legendary guitarist Duane Jarvis (Lucinda Williams, John Prine, Dwight Yoakum). By 20, he had already begun making his name around Music City, hired to write songs for famed publisher Acuff-Rose Music while building up work as a guitarist alongside Matthew Ryan, Stephen Simmons, Jessi Alexander, and a young Taylor Swift.

In 1999, Coleman and Dave Ray founded The Coal Men and quickly staked a claim among Nashville’s finest outfits, earning critical applause and the support of such like-minded artists and musical heroes as Snider, The Delevantes’ Bob Delevante, Buddy Miller, and the late, great John Prine for their amplified brand of evocative Americana. Since then, the band – joined in 2012 by bass guitarist Paul Slivka – have steadily unleashed a series of critically acclaimed albums, including 2013’s Escalator and 2016’s Pushed To The Side, while also sharing stages with such like-minded acts as Snider, Avett Brothers, Darrell Scott, and Chris Knight, among others. Now, with the long-awaited Everett, The Coal Men are poised to climb even higher, fully manifesting the rich craft and triumphant energy that has defined the band since its very start.

credits

released March 29, 2024

The Coal Men - Everett

1. Black Cat -3:20
2. Radio Bell -4:35
3. Rather Be Right -4:04
4. Love This Town -2:56
5. Heart Exposed -3:21
6. Come Back Joe -3:05
7. Johnny Sins -2:54
8. I Hear Trains -3:50
9. Silver Tails -3:08
10. Accidental Memory -2:49
11. Hammer Like Bill -3:51

Dave Coleman - guitar & vocals
Dave Ray - drums & backing vocals
Paul Slivka - bass

With Jen Gunderman, Lane Kiefling, and Dave Coleman - Everett piano

Produced, recorded and mixed by Dave Coleman at Howard’s Apartment Studio, Inglewood, Tennessee
Mastered by Alex McCullough at True East Mastering, Donelson, Tennessee
Design and photography by Bob Delevante


All songs written by Dave Coleman, Four Minor Music SESAC,
with co-writers (1, 9) Taylor Bates, Luandry Music BMI; (3) Carey Ott, Long Story Short ASCAP; (4,7,10) Mark W. Winchester, Flandeline Music ASCAP; (5) Lynn Taylor, designee ASCAP; (6) Jamie Rubin, Sammy’s Grandsons Music ASCAP; (8) Tim Carter, Tree O Music SESAC; (11) Taylor Bates and Matt Roley, Struggle On Music ASCAP

The Coal Men proudly use D’Addario strings, Planet Waves cables, and Evans Drum Heads
Dave Coleman proudly uses ADAM audio monitors

Everett is dedicated to the memory of Thom Roberts (1954-2023)
Thank you to The Downtown Presbyterian Church for the opportunity to purchase the Everett Piano that guests on all of these recordings and for Lane Kiefling for his tuning skills

(C)(P) 2024 Vaskaleedez Records VR-24

license

all rights reserved

tags

about

The Coal Men Nashville, Tennessee

contact / help

Contact The Coal Men

Streaming and
Download help

Report this album or account

If you like The Coal Men, you may also like: